Category Archives: Rainbow Explosions

Rainbow Explosions (5.11.10)

From 7 until 8 PM:

“Title Track”  by Death Cab for Cutie from We Have the Facts and We’re Voting Yes

“The Employment Pages” by Death Cab for Cutie from We Have the Facts and We’re Voting Yes

“405” by Death Cab for Cutie from We Have the Facts and We’re Voting Yes

“No Joy in Mudville” by Death Cab for Cutie from We Have the Facts and We’re Voting Yes

“Scientist Studies” by Death Cab for Cutie from We Have the Facts and We’re Voting Yes

“Osaka Loop Line” by Discovery from LP

“Swing Tree” by Discovery from LP

“Carby” by Discovery from LP

“Slang Tang” by Discovery from LP

“Naked As We Came” by Iron & Wine from Our Endless Numbered Days

“Teeth In The Grass” by Iron & Wine from Our Endless Numbered Days

“Radio War” by Iron & Wine from Our Endless Numbered Days

“Fever Dream” by Iron & Wine from Our Endless Numbered Days

“Passing Afternoon” by Iron & Wine from Our Endless Numbered Days

Total music run-time: 50:27

Rainbow Explosions (4.20.10)

From 7 until 8 PM:

“No Man’s Land” by Sufjan Stevens from Little Miss Sunshine  (Original Motion Picture Soundtrack)

“Once Upon a Time” by Stan Getz from The Definitive Stan Getz

“Karma Police” by Radiohead from OK Computer

“Go Do“ by Jónsi from Go

“Animal Arithmetic“ by Jónsi from Go

“Tornado“ by Jónsi from Go

“Boy Lilikoi“ by Jónsi from Go

“Sinking Friendships“ by Jónsi from Go

“Kolniður“ by Jónsi from Go

“Around Us“ by Jónsi from Go

Grow Till Tall“ by Jónsi from Go

“Hengilás“ by Jónsi from Go

Total music run-time: 54:13

Rainbow Explosions (4.13.10)

From 7 until 8 PM:

“Gamma Ray” by Beck from Modern Guilt

“In the Style of a Tight Rope Walker” by Analog Rebellion from Ancient Electrons

“Sundial” by Dntel from Echo Expansion

“We Laugh Indoors” by Death Cab For Cutie from The Photo Album

“Home Epic” by Golden Hits from On Tour

“Wait It Out” by Imogen Heap from Ellipse

“I’ll Try Anything Once (Live)” by Julian Casablancas from Live from Electric Lady Studios, WRXP New York – EP

“Lords” by Nosaj Thing from Drift

“Art Snob Solutions” by of Montreal from The Sunlandic Twins

“Grow Old With Me” by The Postal Service from Instant Karma: The Amnesty International Campaign to Save Darfur

“Permalight” by Rogue Wave from Permalight

“La dispute” by Yann Tiersen from Amelie from Montmartre (Bande originale du film)

“Ottoman” by Vampire Weekend from The Kids Don’t Stand a Chance – Single

“Arc Of Time (Time Code)” by Bright Eyes from Digital Ash In A Digital Urn

“Knockin’ On Heaven’s Door” by Bob Dylan from Biograph

Total music run-time: 53:39

Rainbow Explosions (3.9.10)

From 7 until 8 PM:

“Colombiana” by Alfredo Rolando Ortiz from South American Suite for Harp and Orchestra

“M79” by Vampire Weekend from Vampire Weekend

“Jigsaw Falling Into Place” by Radiohead from In Rainbows

“Gronlandic Edit” by of Montreal from Hissing Fauna, Are You The Destroyer?

“Are You On My Side” by Rogue Wave from Descended Like Vultures

“All The Way To China” by James Figurine from Mistake Mistake Mistake Mistake

“I Must Belong Somewhere” by Bright Eyes from Cassadaga

“Stable Song” by Death Cab For Cutie from Plans

“Six Days At the Bottom of the Ocean” by Explosions in the Sky from The Earth is Not a Cold Dead Place

“Light#1” by Nosaj Thing from Drift

“The Predatory Wasp Of The Palisades Is Out To Get Us!” by Sufjan Stevens from Come On Feel The Illinoise!

“42” by Coldplay from Viva La Vida

Total music run-time: 57:35

Rainbow Explosions (3.2.10)

From 7 until 8 PM:

“Serenada Schizophrana: II. Blue Strings” by Hollywood Studio Symphony & John Mauceri from Elfman: Serenada Schizophrana

“Tidal” by Imogen Heap from Ellipse

“Tombstone Blues (Bob Dylan Cover)” by Richie Havens from I’m Not There (Original Soundtrack)

“Go Do” by Jónsi from Go

“Simeon’s Dilemma” by WHY? from Alopecia

“Illusions” by Kylan from [Unreleased]

“Only For The Heartstrings” by Daedelus from Love To Make Music To

“Excuses” by The Morning Benders from Big Echo

“Coney Island” by Death Cab For Cutie from The Photo Album

“Decipher Reflections From Reality (Original Version)” by PlayRadioPlay! from Besides (2009-2006)

“Good Morning (The Future)” by Rogue Wave from Permalight

Total music run-time: 50:24

Rainbow Explosions (2.23.10)

From 7 until 8 PM:

“Rock My Boat” by Dntel from Dumb Luck

“Cape Cod Kwassa Kwassa” by Vampire Weekend from Vampire Weekend

“So Begins Our Alabee” by of Montreal from The Sunlandic Twins

“The Lounge” by Philter from [Unreleased]

“Snow On Dead Neighbors” by Electric President from Electric President

“I’m Afraid There’s A Hole In My Brain” by PlayRadioPlay! from Texas

“Centennial (Dntel Remix)” by Tokyo Police Club from Elephant Shell (Remixes) – EP

“Tour’s End” by Stan Getz & The Oscar Peterson Trio from The Definitive Stan Getz

“Testament (feat. Gonja Sufi)” by Flying Lotus from Los Angeles

“Concerning The UFO Sighting Near Highland, Illinois” by Sufjan Stevens from Come On Feel The Illinoise!

“Boy Lilikoi” by Jónsi from Go

“Yoshimi (Flaming Lips Cover)” by Minipop from [Daytrotter Session]

“Technicolor Girls” by Death Cab for Cutie from Forbidden Love – EP

“Genre Chameleons” by Misty Aeons from Under This Endless Curtain

“Earth Machine (Demo)” by These Cages from [Unreleased]

Total music run-time: 54:39

Rainbow Explosions (2.16.10)

From 7 until 8 PM:

“2-1” by Imogen Heap from Ellipse

“Don’t Get Your Hopes Up” by James Figurine from Covers [Unreleased]

“The High Road” by Broken Bells from The High Road – Single

“One By One All Day” by The Shins from Oh, Inverted World

“Seeing Through You” by Blue Merle from Burning In The Sun

“Hardly Correct” by Deceptive Bubble from [Unreleased]

“Can You Discover?” by Discovery from LP

“Six Days At the Bottom of the Ocean” by Explosions in the Sky from The Earth is Not a Cold Dead Place

“I Want You” by Bob Dylan from Biograph

“La valse d’Amélie (Version originale)” by Yann Tiersen from Amelie from Montmartre (Bande originale du film)

“Cheaper Than Therapy” by Rogue Wave from Asleep At Heaven’s Gate

“The New School Shooter” by Analog Rebellion from Ancient Electrons

“A Lack of Color” by Death Cab For Cutie from Transatlanticism

Total music run-time: 56:37

Realizations, Part V: Tangled Mad Cliffsides (1.31.10)

In my early drafts of this essay, I was set on revealing my notions to dabble in writing, film, art, photography, design, and haiku, among other things. I also planned on explaining why I hadn’t covered any Death Cab for Cutie songs (which perplexed those closest to me, who knew me well enough to point out that I reference Ben Gibbard and Co. on a near-daily basis); why I felt my love for The Album hindered my songwriting; why producing album-like collections was so important to me; and how I might deal with the obvious copyright-infringement of my Covers Resolution but still get those covers to the people who want them, legally. I even considered writing about how relevant this whole five-part essay was to me anymore. (I decided it is still relevant, mostly.) I also had promised to “reveal” a number of projects I had toyed with attempting, including my own interpretation of Jack Kerouac’s Big Sur (like Gibbard and Jay Farrar did), and a number of music videos or video-blogs showcasing my covers, as well as a few simple piano covers likely to become “lost amongst all the other webcam-wielding teenagers doing just that.”

I chose not to cover each and every facet of my ruminations and wonderings, mostly out of my own disinterest, lack of time, and newfound inspiration for other topics and goals. So, as I have always intended, in this fifth part of Realizations, I am now pleased to present a few new endeavors of mine.

For starters, a new blog has been started, which I’ve named “Tangled Mad Cliffsides.” Like “Misty Aeons,” the name is originally a phrase found in Kerouac’s Big Sur. There are a few reasons why I’ve begun Tangled Mad Cliffsides. As you’ll see, the top of the page is home to six pages: Misty Aeons, These Cages, Haiku, Rainbow Explosions (another Kerouac-named project), and Tangled Mad Cliffsides. For now, only a one-sentence description and a related photo reside within each page, but with time each will have it’s own extensive description, as well as links to any related post. I want to share these different creative outlets of mine with people, and I figure a blog is the most culminating way to do so. I do hope you’ll take a look, and make repeat visits in the future (when you can).

The second announcement is that Facebook now holds another home for Misty Aeons. Really, that’s all that needs to be said of that. “Become a fan” if you’re into that kind of thing.

The last (and most important) report of mine is the release of the culmination of my four covers done for 2009: The Covers Resolution. Exactly one year ago, to the day, I released the first cover for my then-recently-resolved project; it had a strong start, but was soon tripped by the complex vines of everyday life. In the end, only four songs were started, and only four were finish. And now that it is 2010, I’ve decided to close the door on the resolution, at least in the formal sense. With it no longer being 2009, I have little right to continue to make covers in the name of the resolution; however, I do plan (as I’ve said) to cover the other songs I had interest in exploring. The album is free. As in, no money on your behalf.

In The Coves Resolution, I have also included instrumental tracks, because if it were me, I’d love to hear what the background music is like on its own. Imogen Heap did it with Ellipse, and so will I. Also attached is a PDF with a link to view and download the digital booklet that I designed myself. It’s 22 pages of Oregon Coast photography and Century Gothic typography, with lyrics and excerpts from the four essays I wrote for each cover upon its original release. (One thing I’d like to note about the whole download: in the interest of continued growth and networking, I have required an e-mail address with every download. Ask the people who have already donated their e-mail for Under This Endless Curtain—not a single letter has appeared in their electronic inboxes in the three months since they submitted their address for free music. This is likely to remain nearly the same, especially since I won’t have any big news for at least a month. Even then I might forget or forgo an e-mail announcement. So don’t be afraid to submit your address; if you truly take issue with it, please Twitter or Facebook or MySpace message me, or contact me however you want to (write me a letter!), and I’ll set you up with your own, personal, e-mail-less download.)

Photobucket

So this concludes my Realizations essay (even though at this point it really hasn’t been much more than a gramophone for news). I hope that if you’ve followed along here for the last few months, it’s been enjoyable, or at least insightful. If you haven’t been following, your welcome to read the past four parts, at either the new Tangled Mad Cliffsides blog or the old (and likely obsolete) MySpace blog, or even the minimalistic Tumblr blog (which is supplemented by my WordPress and Twitter posts). And so, finally finished, I’ll leave you with what I found sums up my creative endeavors, thanks to New Yorker cartoonist Emily Flake:

With love,

Caleb

Digital Booklet

MySpaceTwitterTangled Mad CliffsidesTumblrFacebook

Realizations, Part II: Concerning Grinnell College (10.20.09)

To continue with my story, that first night in Iowa was spent at my uncle’s house in Des Moines, not far from the airport. We spent the next morning there as well, and I got to meander about his beautiful property and pretend to be a photographer. In the afternoon, my mother and I traveled east to Iowa City to visit my grandmother and some other aunts and uncles (all of home are related to my father, who was born and raised with his eight siblings in Iowa City). We also picked up things that I needed for my dorm, and, finally, we drove back west an hour to the modest town of Grinnell on Friday night. We had dinner with my roommate and another new friend, and came back to the hotel where we were staying the night before moving in Saturday morning.

As far as explaining things goes, I might as well just summarize and tell you that from Saturday until the next Wednesday I participated in the New Student Orientation program, got my room situated, met new people, made new friends, explored the campus of Grinnell College, ate in the dining hall, stayed up late, met with my current advisor (who is the professor of my first-year class, referred to as one’s Tutorial; mine is “Culture Jamming” and I’ll explain that later), figured out a schedule for first semester, and generally just tried to not go crazy with all the fast-paced changes occurring around me.

The name of my dormitory is Hannibal-Kershaw, and it is a substance-free dorm (one of three at Grinnell). It is located on the east side of campus along with three other dormitories, and so they are collectively (and aptly) designated as East Campus. My third-floor room (2340) looks out at a nearby neighborhood, along East Street. (They were really creative with these compass-inspired names.) So, on Thursday the 27th, my first classes began. They are, in no particular order, Culture Jamming, Introduction to Sociology, Musicianship (Introduction to Music, essentially), and Introduction to French I. Culture Jamming—which is, so far, watching and analyzing and discussing documentaries and books that expose all the really unfortunate circumstances in our world, implementing ways to fight the corporate behemoth of advertising, and learning how to write college papers (the main reason behind Tutorial classes)—is by far my favorite class. Sociology comes in as a close second, and Music and French are both average in terms of how enjoyable they are (you know how it is).

Every morning, I walk down the stairs of Kershaw and out the lounge entrance (where the piano resides) and head out towards the JRC, which is the where the dining facilities are held. I have breakfast, chat with friends, and go to class at eight or eight-thirty, depending on the day. Monday and Wednesday afternoons are busy with classes, and Monday, Thursday, and Sunday nights are spent working at the Marketplace (dining hall). Tuesday nights, as many of you know, are spent in the radio station working the sound waves for my show “Rainbow Explosions,” which I would encourage you to listen to when you can (see: Tuesday nights, eight to ten central time, six to eight pacific; visit my Twitter for links to listen online). So, basically, this is my routine. I hang out with people here and there, and run on Sunday mornings, try to fit in piano (rarely works out), and, above all, work on homework. The rigor of Grinnell College is quite incredible, and its weight suppresses most notions to go out and do much beyond recuperate with naps.

The turning of the seasons has been quite apparent as the sun is keeping itself hidden for longer nights, the leaves are dropping steadily in red and brown clusters, and the rain falls with the dropping mercury. (Foggy mornings here are so reminiscent of the Oregon Coast, it’s scary.) The summer seemed to end abruptly with rain on the first day of school, but fought to hold on until about the end of September. October, then, has been a cooler but pleasant month, and accompanied schoolwork quite nicely.

Which brings me to fall break: because this week is fall break, I’m finally capable of updating everyone. Obviously I am nowhere near able to tell you everything about Iowa, so I’ll leave it up to you to ask about these unmentioned items of interest. Like I said in Part I, I will be continuing to explore a number of different-yet-intertwined topics over the next few days, and this second part was meant to fill anyone who did not know already what life at Grinnell College is like. In Part III (and what may be Part IV) I will begin my formal examination into Misty Aeons. Until then, here are a number of photos that I’ve taken (and edited) to visually document my two month stay here.

I. Iowa (Pond, Driving, Soybean field, On the road, Parking lot at sunset, Clouds)

Pond

Driving

Soybean field

On the road

Parking lot at sunset

Clouds

II. Kershaw (Lounge, Piano, Loggia looking north, Loggia looking south, Foggy morning, Third floor)

Lounge

Piano

Loggia looking north

Loggia looking south

Foggy morning

Third floor

III. Campus (North Campus, East Campus, Autumn)

North Campus

East Campus

Autumn

IV. 2340 (Dawn street lamps, Summer tree, Rainy afternoon, Midnight passerby, Sunrise, Autumn tree)

Dawn street lamps

Summer tree

Rainy afternoon

Midnight passerby

Sunrise

Autumn tree